My work explores the tension between power, protection, and desire by blending organic and synthetic forms into hybrid sculptures that defy traditional boundaries. Influenced by ancient Greek vessels, architecture, and weaponry, I create pieces that are both aggressive and seductive, using ornamentation to exaggerate sharp, spiked, and curved extensions. These forms blur the line between the natural and the technological, merging craft with the aesthetics of sci-fi and fantasy.         

I utilize wheel-thrown forms while also integrating hand-building techniques to construct additional sculptural elements. I then use molds to ensure precise replication and assemble these segments onto complex structures. Once my structures are built, I focus on surface ornamentation, spraying and brushing layers of glaze and underglaze to enhance the tension between the organic and synthetic. Metallic finishes and bold underglaze patterns, these treatments mimic industrial, sci-fi motifs and circuitry while fetishizing specific parts of the sculpture, much like high fashion accentuates the human body through adornment and form.

Through these hybrid forms, I engage with themes of fetishism, futurism, and transcending the constructs of traditional pottery. The work's aggressive, highly ornamental details invite viewers to question the boundaries between the human, the technological, and the sacred. By merging craft, speculative design, and queer fashion aesthetics, I challenge traditional notions of identity, power, and beauty, imagining a post-human future where ceramics stands at the intersection of craft and high art.